Russian Formalism And New Criticism Pdf
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- Russian formalism and Anglo-American new criticism : a comparative study
- Russian Formalism
- New Criticism and Russian Formalism Exercise
By literary theory we refer not to the meaning of a work of literature but to the theories that reveal what literature can mean. Literary theory is a description of the underlying principles, one might say the tools, by which we attempt to understand literature. All literary interpretation draws on a basis in theory but can serve as a justification for very different kinds of critical activity.
Russian formalism and Anglo-American new criticism : a comparative study
Literature Stack Exchange is a question and answer site for scholars and enthusiasts of literature. It only takes a minute to sign up. Where literary criticism is concerned, what are the major differences between Russian Formalism and New Criticism? Russian Formalism was probably the first school in literary theory that looked at poetry and literature in general as true linguistic phenomena. One of its representatives, Viktor Shklovsky coined the term defamiliarization ostranenie in Russian; "Verfremdung" in German , which refers to the intentional deviation from practical, everyday language in poetry and literature.
Russian Formalism locates its origins in Russia in the early years of the twentieth century. This approach ignores the author, his or her biography, and historical context, focusing on the literary work, which they uphold as autonomous. Criticism that adopts this approach analyzes how the elements and devices e. Formalist critics ignore the author, his or her biography, and historical context, focusing on the literary work, which they uphold as autonomous. As Jonathan Culler explains in Literary Theory: A Very Short Introduction , the Russian Formalists of the early years of the twentieth century stressed that critics should concern themselves with the literariness of literature, the verbal strategies that contribute to the form of a literary text, and the emphasis on language that literature itself invites
Petersburg Opojaz in the s. Russian Formalists emphasized the autonomous nature of literature, and insisted that the proper study of literature lay neither in a reflection of the life of its author nor in the historical or cultural milieu in which it was created. They believed that literature was essentially a linguistic phenomenon, and placed literature at the centre, relegating all related matters to the margin. They gave importance to the role of the metaphor and other linguistic devices. It is in this sense that Russian Formalism can be seen as a forerunner to Structuralism. The formalists collapse the distinction between form and content. Explanations which base their arguments on the spirit, intuition, imagination or genius of the poet were rejected.
English and American Studies pp Cite as. The origins of reflection on the nature, the task, and the formal aspects of literature can be found in ancient Greece. Plato and Aristotle offered comments on, for instance, the nature of poetry, the role of the poet in society, and the attempt to represent reality in literature. However, in spite of this long tradition of theoretical thinking about literature, our modern understanding of literature and literary criticism was shaped in the nineteenth century. The letters of the nineteenth-century French writer Gustave Flaubert, who was one of the first genuinely modern novelists, are full of passages where he expresses the difficulty of finding the adequate form for his works.
It means to remove the automatism or perception and the author's purpose is to create the vision which results from that deautomatized perception. By creating the.
New Criticism and Russian Formalism Exercise
Twentieth-Century Literary Theory pp Cite as. Though the New Criticism had its origins in Britain in the criticism of T. Eliot, the theory of I. Richards and the practice of William Empson, its most powerful impact has been in America.
Стратмор мысленно взвешивал это предложение. Оно было простым и ясным. Сьюзан остается в живых, Цифровая крепость обретает черный ход. Если не преследовать Хейла, черный ход останется секретом. Но Стратмор понимал, что Хейл не станет долго держать язык за зубами.
Стратмор глубоко вздохнул. Ясно, что без объяснений ему не обойтись. Она это заслужила, подумал он и принял решение: Сьюзан придется его выслушать. Он надеялся, что не совершает ошибку. - Сьюзан, - начал он, - этого не должно было случиться.
Глаза ее были полны слез. - Прости меня, Дэвид, - прошептала. - Я… я не могу. Дэвид даже вздрогнул.